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©2017 by GRACE LEE-KHOO 邱子睿. Proudly created with Wix.com

 
 

TRAINING AND EDUCATION

 
 
 

BODY OF WORK

 Recent Projects (2015-2019)

In 2019, Grace was invited by the Chinese University of Hong Kong to conduct a full day Applied Theatre workshop with Hong Kong artists, social workers, students and Sham Shui Po residents for Along The Edge Festival 2019.

In 2018, Grace attended Audio Description Training by Jody Holdback and Kari Seeley from Acces 2 Arts (Adeleide, Australia). 

Audio Description credits in 2019: 

  • T.H.E Dance Company's Silence (Dance at Dusk 2019, M1 Contact Contemporary Dance Festival)

  • Gretel and Hansel (Singapore Repertory Theatre)

  • Fantastic Mr Fox in Mandarin (Singapore Repertory Theatre)

In 2018, Grace founded Access Path Productions and currently serves as Creative Development Director, overseeing all creative drama programs with Disabled artists, schools, charities and Voluntary Work Organizations (VWOs) in Singapore and beyond.


Grace was Associate Producer and Performer in Kaite O’Reilly’s AND SUDDENLY I DISAPPEAR… the Singapore ‘d’ Monologues, an Unlimited International commission that made its Singaporean/world premiere in May 2018. The production embarked on its UK tour in Autumn 2018. 

Directing Credits in 2018-2019:

  • Silence Bubble (Singapore Repetory Theatre x Shan You Centre)

  • 3 Words, Repeat (Access Path Productions x Enabling Festival 2019)


Dramaturgy Credits in 2018-2019:

  • Are You Game, Sau(dara)? (bhumi collective, Centre 42 and Five Arts Centre KL) 

Devised Performance/Scripted Performing Credits in 2018-2019: 

  • Theatre in Hotel: A Grinder's Diary (Pitapat Theatre x Access Path, Seremban)

  • Offstage 2.0: Value of Theatre (Emergency Shelter under Emergency Stairs)

  • Kaite O’Reilly’s AND SUDDENLY I DISAPPEAR… the Singapore ‘d’ Monologues (SG premiere and UK tour)

In 2017, Grace served as International Artist in Residence at Graeae Theatre Company; UK’s flagship disability led inclusive theatre company.


Graeae production and Access Support credits in 2017:

  • The Rolettes’ Flying Christmas (an aerial show) 

  • Graeae Ensemble Train Week

  • Reasons To Be Cheerful UK tour (Ian Drury and the Blockheads musical)


Dramaturgy Credits in 2016-2017:

  • bhumi (the bhumi collective) at the 2016 Edinburgh Fringe Festival

  • Marie Yagami’s Little Girl Inside Me (Central St Martins) at Platform Theatre.


Librettist Credits in 2016:

  • Two Sisters (Composer: Algirdas Kirnautis, Lithuania. Opera Premiere at Royal College of Music, UK)

Assistant Directing Credits in 2016:

  • These Four Walls (Access All Areas/Central Diploma in Performance-Making, London)

  • The V&A Peter Brook Project (The Albany/Sedgehill Hub, London)

  • Frankenstein (Watford Palace Theatre, London).

2016 Summer Research Program:

Grace co-produced, facilitated and performed on Broadway in The Crossing Bridges Project, alongside homeless youth from Covenant House and Broadway stars (Helen Mills Theatre, New York City).

Performing credits in 2015-2017: ​​

  • Mermaid at the Oxford Playhouse in 2015 (Shared Experience, UK)

  • After Hiroshima (London Bubble, UK)

  • Trench Brothers the Musical (HMDT Ltd, UK)

  • Eulogy (​a two-hander by b.a.e collective at the Ex-Theatre Asia Festival, Taiwan)

  • And Suddenly I Disappear…The Singapore ‘d’ Monologues – 2017 R&D (Centre 42, SG)

As workshop facilitator, Grace has led and devised performances with:

  • Clean Break (London)

  • Pegasus Theatre (Oxford)

  • Creation Theatre (Oxford)


Stage Management in 2015:

  • The Husband at the 2015 Suspense Festival (Little Angel Theatre, UK)

Publicity Management: 

  • Opaque Prism’s Sinking Flesh Thinking Flesh (Lion and Unicorn Theatre, UK).